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Philippe Petit-Roulet
Born 1953 in Paris.
Works as Comic Artist and Illustrator.
Everybody is familiar with his loveable pin men, but hardly anything
personal is known about him. It is not only since his line-drawing
campaign for the Twingo that Petit-Roulet has been a star and thus not
open to too personal questioning. His cheerful figures always convey a
little irony and sometimes they appear almost melancholic – "in a
sentimental mood" is a state that is probably not unfamiliar to the
artist with the sad eyes. Even such commercial work as for the French
state railway or the Osaka Automobile Show with its childlike
cheerfulness conveys a feeling of strangeness – as if his pin men felt a
little lonely in the modern world. He doesn't restrict this ambiguity to
major advertising campaigns for such simple products as pepper sauce or
hearing aids only, but also uses it in sophisticated publications such
as the renowned 'New Yorker' – the Mount Olympus of illustration. A
rocketing career for a former comic artist, who started at the beginning
of the seventies with little strips in an underground magazine, but
whose comics, i.e. 'Metal-Hurlant' or 'Pilote', are counted among the
world literature of the genre. With his Milk motif, he wants to honour
the unknown milkman, the milkman "who is out and about early in the
mornings on his funny three-wheel moped, when the city still looks fresh
and innocent – like a glass of milk!"
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